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Videos that mix children’s entertainment and existential dread. For this particularly challenging year, we’ve asked IONE , Lea Bertucci , Craig Taborn , Mary Halvorson , Felicia Atkinson , Miho Hatori , and Matana Roberts to tell us what sustained them. IONE is Pauline Oliveros’s partner and collaborator of thirty-two years. Oliveros passed away in November 2016, but her powerful presence has left a lasting mark on experimental and electronic music globally. The following is IONE’s intuited conversation with the late Oliveros and a curated playlist expressive of her legacy. Recordings of endless border walls, vast piles of garbage, and organs in the human body. The anonymous industrial music duo on engaging the ideological minefield of US-Taiwan-China relations. An album inspired by filmmaker Derek Jarman’s Prospect Cottage. In a two-way interview, the musicians talk about their approach to metal and improvisational music that navigates chaos and the division between genres. Les Filles de Illighadad’s music is driven by three guitars but remains free from the “tyranny of the solo.” Annually, BOMB serves 1.5 million online readers––44% of whom are under 30 years of age––through its free and searchable archive and BOMB Daily, a virtual hub where a diverse cohort of artists and writers explore the creative process within a community of their peers and mentors. BOMB's Oral History Project is dedicated to collecting, documenting, and preserving the stories of distinguished visual artists of the African Diaspora. The revered composer, and fastest piano player alive, discusses his Continuous Music practice as a spiritual force.
On her newly released collection of circuitous sound works created in the early ’90s. Celebrating 40 years with curated selections from the archive. New music, videos, and visuals from the multidisciplinary artist. On her latest album , anime, and Édouard Glissant. Reissued for the first time after fifty years, the Black Unity Trio’s rare and explosive free jazz album Al-Fatihah still resonates with the sounds of solidarity amid a scene of intense political struggle. close-c-o Search sponsored by BOMB: artists in conversation, music articles in magazines since 1981. Quarterly in print & every day online. View all results Nothing found—try broadening your search. Menu mobile-menu-c-f Disciplines Art Literature Film Music Theater Architecture Dance Archive Issues Events Donate Podcast Oral History Project Subscribe search Music 586 Articles Sorted by date published triangle-down triangle-up Format All formats From the Editor Interview Audio Essay Podcast Portfolio Review Video First Proof End Page Artists on Artists Series All series Comment Fiction for Driving Field Recording Looking Back The Oral History Project Paper Clip Theory Practice We Are Orlando The Wick Editor's Choice Anything But Art Profiles and Positions Spectacular Herbs Eye for an Eye Endorithm Web Exclusive A Room with a View Behind The Scenes Workshops Decade All decades 2010s 2000s 1990s 1980s Clear Filters Anything But Traditional: Marc Ribot’s Unstrung: Rants and Stories of a Noise Guitarist by Kurt Hollander “My relation with the guitar is one of struggle—I’m constantly forcing it to be something else: a saxophone, a scream, a cart rolling down a hill…” Articles Music music articles in magazinesArticles Music music articles in magazines On the grief, softness, and spiritual mania of L’Rain. “My relation with the guitar is one of struggle—I’m constantly forcing it to be something else: a saxophone, a scream, a cart rolling down a hill…” June explores the roots—and the promise—of blues, gospel, and folk music on her new album, The Moon and Stars: Prescriptions for Dreamers . Join our newsletter for a weekly update of recent highlights and upcoming events. On addressing systemic issues and creating access in the classical music industry. In the wake of Mark E. Smith’s passing, two recent releases— Excavate!: The Wonderful and Frightening World of The Fall and Slang King: M.E.S on Stage 1977–2013— chronicle the legacy of The Fall. BOMB Magazine has been publishing conversations between artists of all disciplines since 1981. BOMB’s founders—New York City artists and writers—decided to publish dialogues that reflected the way practitioners spoke about their work among themselves . Today, BOMB is a nonprofit, multi-platform publishing house that creates, disseminates, and preserves artist-generated content from interviews to artists’ essays to new literature. BOMB includes a quarterly print magazine, a daily online publication, and a digital archive of its previously published content from 1981 onward. On techno-spirituality, impending doom, music industry articles 2020